Knoxville-based WHITECHAPEL will saw blade their way through a monstrous co-headlining tour with Suicide Silence. Sponsored by BlackCraft Cult Clothing, the Straight Outta Hell tour will commence on September 28th in Portland, Oregon and conclude October 22nd in Las Vegas, Nevada. Additional support will be provided by Carnifex and Oceano, with Despised Icon appearing at select dates.
WHITECHAPEL w/ Suicide Silence, Carnifex, Oceano:
9/28/2016 Hawthorne Theatre – Portland, OR
9/29/2016 Studio 7 – Seattle, WA
9/30/2016 Pinnacle NW – Spokane, WA
10/01/2016 Pub Station – Billings, MT
10/02/2016 The Summit Music Hall – Denver, CO
10/04/2016 Wooly’s – Des Moines, IA
10/05/2016 Waiting Room – Omaha, NE
10/06/2016 Cabooze – Minneapolis, MN
10/07/2016 The Rave – Milwaukee, WI
10/08/2016 St. Andrew’s Hall – Detroit, MI
10/09/2016 House of Blues – Chicago, IL
10/11/2016 Agora Theatre – Cleveland, OH*
10/12/2016 Harmony House – Webster, NY*
10/13/2016 The Gramercy Theater – New York, NY*
10/14/2016 Chameleon Club – Lancaster, PA*
10/15/2016 Rock & Shock @ Palladium – Worcester, MA
10/16/2016 GameChanger World – Freehold, NJ
10/17/2016 Arizona Pete’s – Greensboro, NC
10/19/2016 Warehouse Live – Houston, TX
10/20/2016 The Door – Dallas, TX
10/21/2016 Top Deck – Farmington, NM
10/22/2016 Vinyl @ Hard Rock – Las Vegas, NV
* w/ Despised Icon
WHITECHAPEL recently completed an extensive run across the US on the annual Vans Warped Tour as well as an explosive performance at Ozzfest Meets Knotfest this past weekend. The band is currently touring in support of their recently-issued sixth full-length, Mark Of The Blade. Hailed as an, “exciting milestone,” by Alternative Press, Mark Of The Blade was produced by Mark Lewis (The Black Dahlia Murder, Cannibal Corpse) and sees WHITECHAPEL redefine who they are and what they are capable of with the resulting eleven tracks. Kicking off with “The Void” – which has a Slayer-esque ferocity that is perfectly suited to the band’s three-guitar attack – the songs that follow all leave a distinct impression, and by the time the rich, dark melodies on “Decennium” bring the record to a close, it’s impossible to deny the emotional weight brought to bear. Guitarist Alex Wade explains, “At this point in our career and as we grow older, we are taking a more open-minded approach to creating our music, allowing what we think sounds good to evolve naturally, rather than to just write what is expected of us.”
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