DARYL HALL & JOHN OATES AND TEARS FOR FEARS ANNOUNCE 29-CITY NORTH AMERICAN SUMMER TOUR

From the mid-’70s to the mid-’80s, the duo would score six #1 singles, including “Rich Girl” (also #1 R&B), “Kiss on My List,” “Private Eyes,” “I Can’t Go For That (No Can Do) (also #1 R&B), “Maneater” and “Out of Touch” from their six consecutive multi-platinum albums-’76’s Bigger Than Both of Us, ’80’s Voices, ’81’s Private Eyes, ’82’s H2O, ’83’s Rock N Soul, Part I and ’84’s Big Bam Boom. The era would also produce an additional 5 Top 10 singles, “Sara Smile,” “One on One,” “You Make My Dreams,” “Say It Isn’t So” and “Method of Modern Love.” By 1987, the RIAA recognized Daryl Hall and John Oates as the NUMBER-ONE SELLING DUO in music history, a record they still hold today.

On May 20, 2008, the duo was honored with the Icon Award during BMI’s 56th annual Pop Awards. The award has previously gone to the Bee Gees, Crosby, Stills & Nash, Paul Simon, Brian Wilson, Willie Nelson, James Brown, Ray Davies, Carlos Santana and Dolly Parton.

In 2014, Daryl and John were inducted into the Rock & Roll Hall of Fame.  2017 finds Daryl Hall and John Oates very much at the height of their powers making their own kind of soul, with a new generation of musicians recognizing not only their historic track record of success, but also their continuing influence and achievements.

Beyond selling 30 million albums worldwide, performing to countless sold out audiences, and winning various awards, the DNA of Tears For Fears – Roland Orzabal [vocals, guitar, keyboards] and Curt Smith [vocals, bass, keyboards]-remains embedded within three generations of artists. Quietly casting a shadow over rock, hip-hop, electronic dance music, indie, and beyond, their music has been sampled by Kanye West, The Weeknd, David Guetta, Drake, and more, while getting covered by Lorde, Adam Lambert, Ally Brooke Hernandez, Gary Jules, and Disturbed, to name a few. Meanwhile, classic songs figure prominently everywhere from The Wire and Donnie Darko to Straight Outta Compton and Mr. Robot.

Representing an inimitable intersection of pop palatability, clever and cognizant lyricism, guitar bombast, and new wave innovation, their catalog spans a string of classic albums, namely the gold-certified debut The Hurting [1983], quintuple-platinum BRIT Award-winning Songs from the Big Chair [1985], and Seeds of Love [1989]. The latter proved to be Roland and Curt’s last collaboration together until Everybody Loves A Happy Ending in 2004, which rekindled the creative fire between them. Breaking another quiet spell, the boys engaged in a three-year touring whirlwind across North America, Japan, South Korea, Manila, and South America beginning in 2010. 2013 saw them return with their first recorded music in a decade: a cover of Arcade Fire’s “Ready to Start.” It proved to be a welcome addition to their three-decade discography of immortal hits ranging from “Mad World,” “Change,” and “Pale Shelter” to “Everybody Wants To Rule The World,” “Shout,” “Sowing The Seeds of Love,” and “Everybody Loves A Happy Ending.” Now, 2017 marks the beginning of a new era for the band. Signed to Warner Bros. Records, they will release their seventh full-length album, fifth for Roland and Curt together, and first in 13 years following a summer co-headline tour with Daryl Hall & John Oates.

On his third full-length album, soul artist Allen Stone proves himself deeply devoted to making uncompromisingly soulful music that transcends all pop convention.

Tearing through nearly 600 shows in just two years – including sold out performances at LA’s Ace Hotel and NYC’s Apollo Theater – Allen Stone is determined to make 2017 yet another impactful year of writing and performance.