- Never-before-displayed manuscripts from “Bringing It All Back Home” and “Highway 61 Revisited”
- A recently discovered series of typescript drafts with handwritten edits of Dylan’s landmark song “Mr. Tambourine Man”
- Photographs, artifacts and ephemera from Dylan’s final all-acoustic concerts, including his spring 1965 outings with Joan Baez and his UK tour, as immortalized in D. A. Pennebaker’s essential documentary “Dont Look Back”
- Mike Bloomfield’s 1963 Telecaster, played at the Newport Folk Festival, courtesy of Family Guitars
- Sally Grossman’s red jumpsuit from the cover of “Bringing It All Back Home”
![]() Mike Bloomfield 1963 Fender Telecaster, photos courtesy
of Family Guitars |
The exhibit also explores Dylan’s musical roots in ’50s rock ’n’ roll and R&B, and the ways in which early influences such as Buddy Holly, Elvis Presley and Little Richard shaped the artist’s sonic experimentation long before Newport. In addition, the exhibit examines the ripple effect that Dylan’s plugged-in set had on legions of contemporary artists — including The Beatles and The Byrds and their folk-rock peers — and those who followed in his wake.